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Don't Know How Else To Describe It

by Loa & Koan

/
1.
if there is a God in heaven I hope he is kind to me and my friends for while we claimed to know what the hell we were doing oh I don’t think we had a clue when in the morning hour we reached for our computers like Charlotte, I reached for you all my friends were at the party all my friends were poets and artists each of the friends had got something smarter to say than all of my other friends about his or hers, and this and what but Charlotte, you’re not like that all my friends were at the party talking about global warming but at eleven clock there was nothing to do about it so Josephine said let’s just get this party started and later as we were walking through the park I caught a glimpse of something dark behind Josephine's shoulder and I thought oh my god, oh my god, how could we not have known it? and my voice broke from panic when I told them but all my friends they were just reaching for their telephones and soon I’d also composed my own 2 ’o clock poem: Charlotte, I’m coming home and Charlotte the nights that I came to your house although I knew I shouldn’t because I knew you wouldn’t let me inside these were cold nights you were a sharp knife I was all talk and all my friends were gone or drunk
2.
Here comes again a clenching of the fist; A hardening of the heart in an attempt to resist A hard swallowed truth that goes something like this: ”If it talks like evil it probably is If it talks like wisdom it probably isn’t” So I asked Jordan Peterson How lonely does it get? Jordan Peterson came back with an answer in less than a minute Now I cleaned my room and I made my bed But Jordan Peterson I still feel pretty fucking dead And that’s alright now Jordan Peterson I did just fine I’ve got my woman now I’ve got time Ain’t no need to apologize I’m absolutely allowed to slide into that good old night Yeah the final battle is coming to town now, boys, haven’t you heard? With guns that big it’s only a matter of who’s gonna shoot who first Well I just wanna sit here with my girl And forget about Harry Potter and the end of the world So I’ve been dreaming about gold I’ve been thinking about ISIS I’ve been looking for Buddha and the worlds biggest asses But my eight inch wand won’t save me now When you know who and friends are coming around And that’s alright now Jordan Peterson We did just fine You’ve got your phoenix now I’ve got mine Ain’t no need to apologize We’re absolutely allowed to slide into that good old night
3.
now to keep the feet above the ground it’s harder for some oh than it is for others yours were already three feet under oh Brother when I first found ya oh Brother that was only one of all the things we had in common oh Brother the smoke hung thick almost every night in William’s one room flat where five to ten pairs of young Ian Curtis-eyes would gather trying to go blind William...... you said he’s always been kind to you and sure his parties were wild and time was on our side but your darkness was darker than mine the smoke snuck up on your mind you were still a child when smoke got in your eyes he who seeks the light shall find it at least for a while Andrew knew a way to stop the time one night he drew before our feet a thin white line did we want to try? ”my folks will find out” I said, you said that you ”wouldn’t mind a little gambling if the prize is fine” and so we stood, Brother on different sides of Andrew’s thin white line: in a game of youth we each rolled the dice twice, I got three and two, Andrew four and three, you got six and five we were so young we didn’t know the rules if winning meant getting high or low and once you said you’d never taste no alcohol but then you fell into a hole I tried to throw so many ropes to you but none of them would hold for all your heavy thoughts
4.
Dusk 01:25
instrumental
5.
“one of them will kiss you,
 one of them will kill you” 
 yes, I did receive the warning from my angels
 waiting, I’ve been waiting
 for a better explanation
 I’ve been paying close attention
 to the details of love
 
 but still there’s just sound
 and no translation
 the angels too lost their patience
 just me here waiting:
 
 waiting for my baby
 waiting for my little luck
 all my angels they have gotten drunk
 say I should give up
 and that one of them will save you
 but one of them will rape you
 I’ve been looking I’ve been looking for 
 a way to tell them apart
 
 but just one look
 at your heart baby
 and I know 
 I will never know if I know you at all
 
 one of them will kill you one of them will kill you
6.
ours were not the first hearts that tried to beat in this apartment the walls and the parquet foor has started to buckle under the weight of a century's worth of cries and laughter In nineteen hundred and eleven the two rooms and a kitchen appeared like heaven to a family of seven two and a half world wars between them and the two of us I think to myself when we hide in eachothers arms from thoughts that the night froze although our bed is warm oh, our hearts try too hard and we keep forgetting that life is for the ones who does not ask so many questions and despite our fancy bedsheets now you wriggle in your sleep from bad dreams each little thing I can save you from but only for as long you're so close to me that we share the same heartbeats
7.
Holy Lovers 02:57
I’ve been to church on every sunday baby now since eighty-seven baptism, wine, bread and prayer: baby, I still hate my neighbor but I believe the Bishop loves me at least he said so when he fucked me and I’ll gladly tell you all my sins I’ve lusted, lied and even killed but I know that you’ll forgive me when I show my naked spirit I saw holy lovers come and go some loved my body some my soul I don’t know though who I loved the most father, son or holy ghost? God knows I’ve never felt as holy as when all my bodies holes and cavities were filled with gospel he never called me back though the asshole! I saw holy lovers come and go some loved my body some my soul I don’t know though who I loved the most father, son or holy ghost?
8.
I tried Miranda Once to jump over the walls But I would not get very far before I was caught by the guards When they carried me off I asked "What about being kind?" They simply replied "That takes time and our schedule is tight" Oh no... Behind the factory Over a cigarette John had been here longer he said: "Don't be stupid now just try to forget" I said "I swear years later when they find all our letters They'll ask how we could let them get us and not even reach for weapons" Miranda... That what was how it happened Behind half-closed venetian blinds Souls that slide and slide Only one out of hundred Would make it through the needles eye But that means ninety-nine... It will keep on happening On a sunny sunday When the good people pray Souls keep sliding keep sliding away
9.
Antony since we were sixteen it’s been clear that everyone are on their own in this town so many people that I know has got their pockets filled with stones and after dark down by the docks sometimes you can watch them walk in circles a little too close to the water: some walking closer than others in this town sometimes life is so remorseless as to take all the hours and days and place them upon a persons weary shoulders and in a moment of such impossible weight Antony did you turn yourself over? Antony, did it get dark here? did that which we’ve seen happen before in the lives of others now happen in yours? Antony, did it get dark here, did that which we’ve seen happen before in the lives of others now happen in yours? Oh Antony since we were sixteen we have seen so many of our friends disappear Antony, did it get dark here? did that which we’ve seen happen before in the lives of others now happen in yours? Antony since we were sixteen: silly, silly to take the best wine bottle and throw it off into the sea
10.
every day now my dreams get more expensive I dig my pockets but only come up with strange answers couldn’t find no question with every strange twist of the tongue with every beat of the drum it has become clearer and clearer Démira: each of the words i’ve sung were as empty as a mirror reflecting a mirror don’t know how else to describe it it’s such a common feeling: me and my friends talk of revolution it should happen any day now but we dream almost only about childish salvation the road to heaven was paved with bad intentions I met my baby under circumstances too cruel to mention a series of coincidences (too unlikely i guess to be something else than some mysterious work of grace) had us meet by some barbed wired fences she thought at first my face was someone elses some boy gone missing that she once loved and had been looking for since the first day of the war now she just smiled and took me by the arm and said ”together, stranger, we’ll fly south” the prayer's broken now we know it won't work the drum beats harder and harder we keep singing the words

about

A most spectacular debut album sees the light of day on October 22nd.

'Don't Know How Else To Describe It' – the first full length by Danish-Swedish indie pop trio Loa & Koan – is a voyage through evocative moods and sophisticated movements. Even though the songs are diverse and traverse between both solemn and outgoing the music follows a clear sonic narrative.

This is due to the different strengths that the band members bring to the table. Maria Jagd (violin, viola) and Loa Esaias (vocals) met each other as students at the Rhythmic Conservatory in Copenhagen. Sebastian Vinther (production) took an interest in the songs they had made and gradually a unique cocktail of bedroom recordings and studio embellishments emerged. A sound that pays homage to lo-fi icons like Daniel Johnston and Sparklehorse while also holding Bon Iver and Rihanna in high regard.

In their creative process, Loa is the visionary songwriter that comes up with the lyrics and basic musical structure of the songs. With her extensive experience in composing, Maria then refines Loa’s ideas and adds her unique string arrangements. And with his background in production, the multi-instrumentalist Sebastian has a knack for how the different elements fit together.

As Loa says:
» I guess I bring some material, Maria sets it on fire and then Sebastian pours gasoline over it!«


In regards to the thematic nature of 'Don't Know How Else To Describe It', he adds: 
 »I feel that there is an almost biblical theme that looms through the album; mankind's countless attempts to find something true and beautiful in a world that is seemingly cold and indifferent. Whether the scene is a mediocre afterparty, a psychiatric ward or the last seconds before a suicide, the characters in these songs are all looking for something, reaching for something, hoping for something. In the songs ”We were 16”, ”Antony” and ”All my friends and Charlotte” this theme of longing is examined through a personal lense. Together they form a triptych inspired by a group of friends I knew in my teenage years. While all of us were struggling with darkness in some way, some of these friends' attempts to find the light ended up in tragedy. On a more political level, in songs such as "JP and the End of the World" and "Childish Salvation", I address how our collective consciousness is desperate to find something to hold on to in the confusing times of late stage
capitalism. « 


credits

released October 22, 2021

All songs written by Loa Esaias

Arrangement by Maria Jagd

Produced & mixed by Sebastian Vinther Olsen

Mastered by Brian Mørk Hansen

Except:

‘When We Were 16’ - produced by Björn Lindberg and Sebastian Vinther Olsen

‘Dusk’ - created by Sebastian Vinther Olsen

‘Our Hearts Try Too Hard’ - produced by Björn Lindberg and Sebastian Vinther Olsen

‘Holy Lovers’ - produced by Loa Esaias, Samman Piotr Kadduri, Dennis Rudi Nielsen and Björn Lindberg

‘Antony (live)’ - produced by Björn Lindberg


Loa & Koan is:

Sebastian Vinther Olsen - bass, guitar, keys, perc., programming

Maria Jagd - violin, viola
Loa Esaias - vocals, keys, programming


Add. Musicians:

Anton Jansson - piano + guitars on ‘When We Were 16’ + ‘Our Hearts Try Too Hard’, guitars on ‘Holy Lovers’, piano on ‘Antony (live)

Björn Lindberg - bass on ‘When We Were 16’ + ‘Our Hearts Try Too Hard’

Måns Wikenmo - drums on ‘When We Were 16’ + ‘Our Hearts Try Too Hard’

Démira - vocals on ‘Waiting For My Baby’

Ellen Pettersson - trumpet on *Our Hearts Try Too Hard’

Emil Nerstrand - saxophone on ‘Our Hearts Try Too Hard’

Søren Høi - drums on ‘Holy Lovers’

Siv Øyunn Kjenstad - drums on ‘Childish Salvation’

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Loa & Koan København, Denmark

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